This Drifting Excrement Was Far Too Meaningful! These Are the TV Disappointments of the Year.
Looking back, we consider the television offerings of the past year, a handful of series stand out not for their excellence, but for their notable shortcomings. Ranging from awkward spin-offs to bafflingly poor docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.
And Just Like That
How to start with this love/hate spin-off? Plagued with woeful writing, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. Briefly, as the final series started, it looked like it had finally hit its stride. Then came an installment all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last series. It concluded on a low point; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Still, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t release a small sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? Of course she can’t.’
But that was almost the least of this drama's problems. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to start enumerating the flaws. The laughably leaden dialogue? The mind-numbing veneration of affluence and consumption? The almost wilful parade of tropes? Performances so bad they felt borderline spiteful? Let’s just say “each and every one” and never speak of this show again. However, a second season has been commissioned, so we’re probably going to have to.
AKA Charlie Sheen
Considering the restraining orders, domestic violence allegations and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any pity this series might induce should be reserved for the people who have had to endure proximity with this charming but flippant egotist.
The Iris Affair
Naturally we understood it was preposterous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.
MobLand
Dodgy characters convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.
Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Mainly that it was just really dull; a dispute over drug-selling territory between various London picaresques which felt a bit basic.
With Love, Meghan
Considering the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into twee homemaking as intentional provocations. But then you watch them and are compelled to admit that in this case, they might have a point. It’s like watching a lifestyle magazine animated; a poster for evening drinks with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark sayings and forgettable crafting “hacks” you’ll forget instantly. All underpinned by vast, largely undeserved wealth. Ugh.
The Beckham Documentary
There are clearly fascinating things to be discussed about regarding Victoria Beckham and her struggles with vocation, identity, self-worth. But for whatever reason, this three-part series opted not to say them. Rather, the viewing was akin to reading a marketing brochure. She obviously has good reason to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.
The Inheritance
It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a well-known personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a production that was straining desperately to emulate something far greater than it.
Too Much
How does one succeed a show that captured a generation? The pressure was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity cameos involved felt icky.
The Sketch Show Return
Not good enough to be ‘uneven’.
Given the shrewd recruitment of talented emerging comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have remained in there a while longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled with care. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.
Prime Target
We admire the lead actor … but did we buy him playing the most brilliant maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about secret services spying on – and eliminating – academics frankly got more farcical by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This hagiography followed the online personality notorious for explicit exploits as she undertook her biggest challenge yet. What on earth would possess her? What we craved was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to haul her son out of the queue. What we got was horrific shots and absolutely no critical analysis of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.